The first of my reviews to be uploaded here - my response to the recent novel Star Trek: Typhon Pact: Brinkmanship by Una McCormack.
My review is a short and not at all rambling piece and who I am kidding, it's the usual
mass of speech, almost Dukatian in its weight and
breadth:
Brinkmanship was a far “lighter” novel than I was
expecting. It wasn’t a heavy-hitter with a particularly wide scope, for all that
it involved high-stakes politics between four major powers; it was more intimate
and tightly focused. It explored the new status quo, did a lot of interesting
things with the established pieces, and did it without transitioning into a
new new status quo by forcing further Big Developments. That was a
welcome relief in one sense, given all the changes and surprises that the other
Typhon Pact books have featured. Don't get the wrong idea, I like that we
had those changes and surprises – I’m eager to push the boundaries at the
bleeding edge of the Trek timeline. But this once it was more rewarding to
explore what we’ve got rather than changing the shape of the board.
It
was wise to explore the expanded Khitomer Accords, showing how the upgraded
relationships committed to in preceding novels are going to function. The
Federation’s new “complication of Cardassians” trick hits just the right note
between cynical and genuinely uplifting. This alliance is going to work, even if
it’s as much about steering your friend into the path of someone pushy while
having to grudgingly go along with their occasional demands to keep them happy
as it is enjoying each other’s company. The story also built further on the
Tzenkethi, who continue to be a worthy addition to the alien societies of Trek
lit and were handled well here.
Thematically, the story appealed to me.
One of the reasons I love Trek lit is the variety of stories it tells regarding
individuality and membership; tales of individuals, races and organizations
dancing around each other, seeking a balance between self-determination and
inclusion/subsumption. Finding their comfort zones with one another, looking for
a level of contact or exchange they feel safe with, and also searching for a
balance between their own conflicting desires. Issues of acceptance, belonging,
responsibility; all resonate with me greatly. This is a novel about conformity
and the search for belonging, but more specifically about the price of full
self-awareness and moral agency, the appeal of having none of that, and the
uncertainty that comes with having to second-guess everything. Most of all, it
seems specifically to be about the luxury, or the trap, or the sympathetic
desire, or the terrible selfish urge, of seeking a life free from
self-responsibility. Without ever really stressing that this is the issue up for
discussion (save a strong opinion piece from Alden near the end, but he's
already established as a character with definitive viewpoints on certain
subjects and a hard time keeping an objective distance from his impulses) the
novel explores the range of potential ways in which we could relate to this
state of affairs – a life where our tolerances, comfort zone, moral duty and
sense of place were mapped out so completely we don’t have to worry about them.
Subsuming oneself into a system of absolute trust and freeing oneself from the
strain and mental anguish of full self-awareness.
A peace that comes
from a certainty of position and an absence of self-analysis is a most appealing
one, especially for those caught between conflicting truths or identities.
Efhany finally seeks this state, even knowing that in her case it’s a form of
oblivion, because it’s the easiest way out and (so it’s hinted) because her
Cardassian social instincts leave her vulnerable to its lure. Alden could
probably do with being a bit closer to that state than he is, but thinks it’s a
terrible, unconscionable thing that he’d never inflict on anyone. That wistful
appeal of saying “do my thinking for me, nurture me and know what’s best” is
very powerful, and was captured very well here, for the most part.
In a
sense, the Venetans too have arrived at this blissful state and have genuinely
prospered in it, while remaining relatable. However, it’s a false bliss in some
regards because their peace is crippling to their development, a fact which
becomes apparent when they finally decide to step out into the wider galaxy and
can’t handle the complexities and harshness of it; indeed their leading citizen
is rendered physically ill by the stress of what she has to confront. Something
I was very much sympathetic to, by the way. In all, the Venetans were an
interesting addition to the Trek universe. I enjoyed their blend of patient
wisdom and stroppish child-like attachment to their own comfort (and they are
stroppish, for all their patience and gentle understanding. When people won’t
play nice and do things in their carefully-mannered way they become judgemental
and, by their standards, harsh. They were amateurs in the field of alien contact
and it showed). A fascinating picture of a mature and rightly self-assured
people who yet have no real capacity for understanding the world around them; it
was an intriguing set-up that could use further development.
We’re given
more than one angle on it thanks to the comparison/contrast with Dax, who also
exhibits a blend of youth and settled wisdom, only far more functional. The
equivalency between Dax and the Venetans is alluded to several times, of course,
– interestingly usually in the form of Dax reflecting on the knowing,
directed-for-her-alone looks the Venetans are giving her (that’s another thing
the Venetans do that I’m not sure they realize they’re doing; they divide and
target just as well as any of the more political races. They're not as totally
non-hierarchial as they might seem). In all, a paradoxical lack of maturity
defines the inhabitants of the old and comfortably prosperous Venette
Convention. Perhaps because they’ve developed in isolation, with little in the
way of challenging perspectives to encourage growth? Unlike Dax, who by Trill
nature must balance and integrate a range of strong and difficult perspectives
and experiences. But like the lower Tzenkethi grades, who know only what makes
them comfortable because it's when comfortable, happy and ignorant that they
best perform their function for the whole.
As for Dax herself, while her
friendly relationship with Alden was a little underdeveloped for my tastes, it
did give us the “I am Dax” speech, which I agree was a great moment. No lengthy
fretting over something she must have long ago become fully comfortable with,
but acknowledging her journey and the conclusions she had to reach over the
course of it. Nicely played. Between her non-relationship with Bashir in the
earlier Typhon Pact books and that scene here, I feel like Captain Ezri Dax has
finally finished establishing herself as a character distinct enough from Still
Not Really Sure Who I Am Ezri Dax of old. Nice too that the answer to her
queries on identity is now firmly “I am Dax” - but this isn't her surrendering
to the symbiont or subsuming herself to previous identities, but full acceptance
of her status as a worthy host. It’s Ezri saying “I am Dax”, not Dax saying it,
if that makes sense. And that’s pleasing. I liked too that Dax and Bowers were
written as trusting friends within the limits imposed by their professional
relationship. They’ve known each other for 7 years, and been Captain and First
Officer on the Aventine for almost 3. They should be at ease with
each other by now.
On the subject of characters, Ilka also contributes to
what I've decided is the central theme – as a modern Ferengi female, she has (in
this case eagerly) moved out of that situation I’ve been talking about, where
everything she needs to know is determined for her and “growing up” is
discouraged (in this case, until recently prohibited) and has embraced (been
able to embrace) a position where she has the capacity to function as a fully
responsible being. But there are always drawbacks, for here she must wrestle
with multiple conflicting wrongs, betray an ideal here to do what must be
done there, face the knowledge of the self-doubts and compromises that
come with full self-awareness and the social space given to exhibit it in.
Notably, Ilka is more comfortable with it than people like Alden or Crusher –
understandable given that, for a Ferengi female seeking a role in the wider
galaxy, self-responsibility - warts and all - is something to strive for and a
goal eagerly pursued against much resistance. Another example of how different
characters suggest different means of relating to this theme, and an example of
how these perspectives make sense in the context of the character.
Other
notes:
I liked seeing the Federation strengthen its ties with the Ferengi
and Cardassians. And I was so, so pleased that Dygan has integrated easily into
the Enterprise crew as a friend, rather than being their “problematic
Cardassian”.
It was actually fascinating to consider the Tzenkethi in
comparison to the Breen, as described in Zero Sum Game. One society is about hiding your biology, consigning
your genetic heritage to the shadows while your random talents define who you
are, accepting a sea of variants behind an outward conformity, celebrating
diversity but morally opposed to exhibiting it openly, and its people are all
walking around in identical full-body suits. Yet this society is difficult to
infiltrate. The other society is ordered and structured entirely on the basis of
biology, where your genetic heritage determines who you are, where a form of
diversity is celebrated precisely because all the myriad variants know their
function and place, and where they advertise that function - and thus their
biology - openly through visual cues. Yet this society is relatively easy to
insert operatives into. Akaar even explicitly says that Tzenkethi
counterintelligence isn’t the best.
It's interesting to have a book
featuring Enterprise and Picard in which Picard is not the focus or a POV
character. I liked what we saw of his relationship with Dygan. The idea of
Picard as a respectable leader of Cardassians is interesting and not, I find,
too unexpected. I hope we see more of this relationship in The Cold
Equations.
Alizome’s back! I hoped she would be at some point. I’ve
expressed interest in seeing her become a recurring trouble-maker and she’s in a
position to make that plausible. I was glad to see her.
The
urge to write a “Garak and Bacco” book must be strong indeed; I commend
McCormack for having just the one scene rather than littering the novel with
them, which would have been awesome but probably counter-productive.
Finally: If the Venetans are serious about interacting with other spacefaring nations in
the long-term, it would be interesting to see them realize how their fully open
society could in itself be a means of destabilizing foreign representatives.
Undermining the nerve of political opponents would be quite easy, if they
learned to understand themselves in that way, to see their remarkably honest and
inclusive ways as a "weapon". It might allow them to reconcile their current and
long-standing sense of identity with the shocking realization (that surely must
now be dawning on them) that they can't trust most outsiders to act like
Venetans. Perhaps they can regain a sense of stability if they learn to find
security and comfort in the fact that they're playing by different rules than
everyone else, and that this gives them the advantage - on their home turf at
least - if they can just learn to grasp the shape of the board and see
things in terms of advantage and disadvantage. It would be a difficult
transition, I'd imagine, but perhaps a more acceptable one than the
alternatives, e.g. becoming more manipulative themselves. They don't have to
surrender who they are, they can continue playing by different rules, so long as
they come to understand the shape of the game. They might realize they already
have the means to play this game of politics and prosper in it, without
having to become something distasteful to their sensibilities.
After
all, through no intention of the Venetans, the Federation, Ferengi and
Cardassian delegations were reduced to a game of "where's my chair?" as soon as
they entered the meeting space, causing quiet uncertainty and minor distress .
(That was rather amusing to me, by the way - the Venetans being set up as an
"elevated" society of noble, cultured beings with a highly orderly society, only
for our first look at them to be something that throws the protagonists - and
the reader - off balance by suggesting the sort of cheerful chaos that doesn't
seem to befit noble statesmen and "space elf" societies). If the Venetans ever
realize that they throw people off balance simply be being who they are, then
they might come to see that they have choices other than "stick your head in the
sand" or "betray yourselves by acting distastefully". Hmmm. I hope we do see the
Venetans again. They're slow to change and insular, and might as likely just
fold back in and become isolationist than actually work through their recent
upsets toward a new set of assumptions, but I think there's great potential in
them....
PS: Crusher's friend with the bag of sweets was another nice
touch.
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